OREN FADER GUITAR
 
 
 

 

Oren Fader

"His scholarship, technique, and intelligent musicianship are plainly evident and the beauty of his tone is consistently compelling."
— Guitar Review

"Serenade is set to Mr. Harrison's "Serenade for Guitar", with Oren Fader as the fine guitarist seated onstage..."
— The New York Times

"On his new CD First Flight...Oren Fader serves up a nourishing feast of new music...Fader's skill, particularly his conductor-like understanding is palpable on every track. The ultimate strength of this CD, however, is it's form: the program has the consistency of one large 12 movement sonata, yet every piece shines with its own personality and intellectual gusto. Have credit cards ready and go to www.cdbaby.com."
— Guitar Review

"Indeed, Oren is a guitarist who seems to have his hand in just about everything interesting. In addition to a prospering solo career, he frequently performs in duos, ensembles, commissions new music, and even tours with the Mark Morris Dance Company."
— Nylon Review

"Oren Fader gave the guitar part a polished, energetic performance that was precisely matched to the tape sounds."
— The New York Times

"The next pieces on the program...were played with a balance of passion and intellect, guided by a warm singing tone in the melody."
— Guitar Review

"The guitarist, Oren Fader glided through Mario Davidovsky's Synchronisms #10 , letting the electronically produced guitar sound appear with suprising force to contrast with his own delicately molded performance.."
— Philadelphia Enquirer

"Oren Fader, an increasingly prominent guitarist about town, is the guest of Speculum Musicae..."
"— The New Yorker

"Josh Levine's Glimpses had a delicate shimmer befitting its title, and excellent work by Tara Helen O'Connor on flute, Daniel Panner on viola and Oren Fader on guitar."
— Musicweb-international.com

"...totally winning confidence on display, especially Oren Fader and William Anderson in the crucial guitar and mandolin parts."
— Musicweb-international.com (for the full review click here )

"Fader's solo guitar in "Three Venezuelan Waltzes," by Antonio Lauro, was superbly performed in the masterful tradition of Alirio Diaz."
-NewsTimesLive.com (Danbury CT)

 

Anderson/Fader Duo

"Anderson and Fader are expert chamber musicians with a perfect sense of timing, virtuosity and a sensitivity to nuance."
— Guitar Review

"His (Milton Babbitt) melodies leap freely around the fretboard, and his rhythms are complex and perilous. Yet Mr. Anderson and Mr. Fader performed the work from memory, and gave an impressive account of it."     
— The New York Times

"A highlight of the evening was a performance of Milton Babbitt's works by guitarists William Anderson and Oren Fader…(The Babbitt is) a major work written for the duo which demands a high level of musical comprehension and virtuosity. These players seem to feel as comfortable playing this music, despite its complexity, as many guitarists are playing the music of Sor and Giuliani."        
— Guitar Review

"Anderson and Fader are technically superb and musically
adventurous, able to execute complex rhythms and tonalities with
seeming ease.  They treat listeners to the kind of confidence that
gives new music the ballast of tradition and familiar music the
buoyancy that comes from the stretching of possibilities."
— The Maui News

"William Anderson, Scott Kuney and Oren Fader, the three guitarists, gave the piece an electrifying reading."            
— The New York Times

"Martin Rokeach's attractive Fantasy on Twelve Notes was well played by guitarists William Anderson and Oren Fader."
— San Fransisco Classical Voice

Cygnus Ensemble

" …The Cygnus Ensemble made another fine appearance at Merkin concert Hall. With two very fine guitarists among them (William Anderson and Oren Fader), Cygnus has done a lot to promote new chamber works with (and for) a somewhat neglected chamber instrument, the classical guitar."
— New Music Connoisseur 

"Cygnus continues to give captivating performances of Twentieth Century music featuring some of today's outstanding young musicians."
— Guitar Review

"This enterprising and supple group--featuring guitars, strings and woodwinds in pairs--presents a light, lively evening of music from contemporary American composers, with offshoots into the European past. "
— Paul Griffiths, The New York Times

"The Cygnus Ensemble shows why they are considered among the best of the new music groups. On this CD [ Broken Consort ], they bring a highly unusual instrumentation and masterful ensemble playing to bear on a program of diverse works."
— CDeMusic

"But my favorite chamber disc this month is the debut CD by the Cygnus Ensemble, a group comprised of flute, oboe, violin, cello and two guitars - a really exciting new variation on the overused Pierrot ensemble. (It's great hearing how composers as diverse as Anthony Braxton and Sebastian Currier handle the assignment.)"
— Frank J. Oteri, NewMusicBox.org

Fireworks Ensemble

"Finally there were arrangements of music for rock ensemble — including [Frank Zappa's] "G-Spot Tornado" — performed by the Fireworks Ensemble, the eight-member group that set up the whole concert... With the change of nomenclature and mood in the rock part of the show, a whole new feeling came into the auditorium, as if, formalities now concluded, everyone could kick off shoes and dance till dawn. Brian Coughlin, Fireworks' director and bass player, produced some hell-for-leather arrangements that the players, now relaxed and grooving, played the heck out of, down to show-stopping solos in "The Purple Lagoon/Approximate." Finally labels did indeed cease to matter: this was just music, and it sounded like music to keep."
— Anne Midgette, The New York Times

"This may be the hottest new classical band in New York. Call it what you will, their performances are astute and extremely entertaining... I have never seen happier performers and a more relaxed and receptive audience... Run, don't walk, to their next performance and buy their CDs too. This eclectic ensemble of flute, sax, violin, cello, bass, guitar, percussion, and keys is magic. The experience is ecstatic."
— Mark Greenfest, The New Music Connoisseur

"Brave, skillful and refreshing. To love a revolutionary masterpiece like 'The Rite of Spring' so much that you want to make it your own: We should all be aflame with such passion... Fireworks brings to 'The Rite of Spring' some of the raw energy of rock... There were hair-raising moments, especially in the eruptions that climax Part I."
— Andrew Pincus, The Berkshire Eagle

"The prize for the most madly eclectic program of the season goes to the NYC ensemble Fireworks."
— Alex Ross, The New Yorker

"Rock and jazz are the key influences on this punchy newcomer to the city's contemporary-music scene, which performs music by its director, the bassist Brian Coughlin (including “Chimera,” written for the guitarist Oren Fader), in its latest concert."
— The New Yorker

Mark Morris Dance Group

"The evening's stunner was a new Morris solo, "Serenade" (to Lou Harrison's piece for guitar and percussion, fabulously played by Oren Fader and Sefan Schatz)."
— The Oakland Tribune

"...Serenade for Guitar (guitarist Oren Fader and percussionist Stefan Schatz were the excellent performers)."
— San Fransisco Chronicle

"In "Serenade," Morris shares the stage with guitarist Oren Fader and percussionist Stefan Schatz. They're all in the spotlight throughout this work, which pays tribute to the bond between music and dance..."
— Boston Globe